What is interesting in
the Pusher car theft scene is the rapid movement of the tracking shot as the camera
follows the car thieves into the car dealership. We first see a medium above
headshot, when the character is breaking into the dealership. Once he broke
into the dealership the camera uses an unsteady motion, almost as if the cameraman
is holding the camera on his/her shoulder and running with the characters, the
camera moves quickly, using pivot moves from left to right and up and down. Through
out the whole scene the camera moves rapidly and gives a feeling of nausea. We
also get a direct point of view shot of the characters with the flashlight, as
they are running to their next obstacle. Each camera angle coincides with what
each character is about to do and gives their perspective point of view. I also
think that the way the music was brought into the scene, right after the
burglar alarm went off, was to give the audience a sense of suspense.
When the characters are changing
the plates on the vehicles, the camera starts to track in on each character as
he is changing the license plates, of the vehicles. As each of them change the
license plates there are a lot of cuts and snips in the editing, going from one
character to the other. The camera also focuses on the person who is changing
the plates and the actual license plate, using the technique of a track in shot
with secondary object in the foreground. There is also a very fast pan shot at
about 0.52 sec which shows the inside of the dealership and the characters
running from left to right. A few seconds after the pan shot, when one of the
characters runs up to the big glass door to allow the other characters to drive
the cars out, we are able to see a fast medium shot to a fast close up shot of
the character in the ski mask, as he begins to open up the big glass door.
The scene of the crash is an
extreme long shot of the two cars crashing into each other, and when the camera
swings to the character’s masked face, it is a close up of the man’s masked
face. Even though we, the audience, are not able to see the characters facial
expressions, we can somehow understand what they would be. The director shows
this, by going from an extreme long shot of the crash to an abruptly fast close
up shot of the man’s shoulders and head.
After the crash one of the characters
jumps in a vehicle and takes off. We are able to see a lot of his point of view
through the camera work, and we are able to see an angle shot from the
passenger side seat, where the camera is shooting. The camera continues to go
from a point of view to a close up of the characters face who is driving. As
the cars are driving and beginning to drive into the containers where the
stolen vehicles are going to be stored, we are able to see a two shot of the
cars. Then again characters point of view of the container and ending with a
close up shot of the characters face.
The music is used to evoke an eerie
feeling that something is going wrong. Lighting is used very sporadically in
the beginning of the scene and the rest of the scene, the lighting is tailored
to the environment. In the dealership, there is minimal lighting, and on the
street it is dark, because the break in happens at night.
The rules
of continuity through out the scene are being followed, each character is
following a rhythm within the scene, they continue to wear the same clothing,
and cars follow the same pattern and are inline with the beginning of the
scene.
The choice
of colors the director chose for this scene go well with the gritty soundtrack
and the dull lighting. Instead of choosing a dealership with bright colors, we
only see white, black and green colors. This is also true for the color of cars
chosen for this scene; there are not red or yellow cars, but only white, grey
and black cars.
The
darkness of this scene, the fast moving camera shots, the high and low angle
shots of the characters and, specifically, the camera shots in the vehicles, brings
the audience a feeling of suspense.
No comments:
Post a Comment